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Simon Boccanegra, Halle aux Grains, Toulouse, October 2009

Un soprano lumineuxAlexia Voulgaridou chante Amelia de Simon Boccanegra de Verdi à la Halle aux Grains. Elle est bouleversant.Alexia Voulgaridou est l’une des révélations de Simon Boccanegra à la Halle aux Grains. La soprano d’origine grecque illumine le monde d’hommes de l’opéra de Verdi. Le personnage d’Amelia (une prise de rôle)  marque ses débuts en France.Anne Marie Chouchan, La...

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Carmen, Teresa Carreno Theater ( Caracas ), August 2009

En cuanto a los roles vocales, sin duda la mas destacada fue la Micaela interpretada por Alexia Voulgaridou, poseedora de un [impresionante] torrente vocal  ....Ana Maria Hernandez, El Universal, August 7, 2009 [Alexia Voulgaridou] Micaela, la joven enamorada del protagonista, impresiona por la potencia de su voz …Sergio Moreno Gonzalez, Opera, August 8, 2009La actuacion de  la soprano...

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Turandot, Palau de les Arts, April 2009

Lorin Maazel se ha despedido de la direccion musical del Palau de les Arts con una version fascinante de la opera Turandot de Giacomo Puccini, que cierra la temporada 2008-2009 [ ......]  Del cuadro artistico ha destacado la soprano Alexia Voulgaridou, en la tierna y fiel Liu ....El Pais, April 14, 2009 Los musicos del foso y los cantantes se entregaron con apasionamiento [......]  La...

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Luisa Miller, Palau de les Arts, November 2008

Alexia Voulgaridou, en el papel protagonista, prodigo un canto rico en colores y matices...su intervencion tuvo momentos hermosos, como el de “e un letto sparso di fiori” donde, en total sintonia con Maazel le dio a un ritmo casi saltarin el caracter tragico que le corresponde aqui, sin interrumpir la linea argumental como tantas veces sucede.El Pais, November 2008 La soprano griega Alexia...

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La Bohème, ROH Covent Garden, October 2008

.... Alexia Voulgaridou, who has sung the role [Mimi] at La Scala, stepped in and gave an affectingand vulnerable performance...... her performance became captivating.The initial meeting between Rodolfo and Mimì caught the mood perfectly, with both fumbling over eachother shyly and with some embarrassment. Her response to Rodolfo clutching her “frozen little hand” was very tender. The final...

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La Bohème, Staatsoper Unter den Linden, Berlin, 03. 2008

Her Mimì had every bit of the sweet quality of the soprano invoked by Thomas Mann in “The Magic Mountain”, enhanced by a mysterious, ravishing dark quality which makes her voice quite unique, the variety of shades seeming to become increasingly varied as the story unfolded and the heroine’s death drew closer. Her phrasing is flawless and she moves with the poise of one who has sung a role...

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